For the last summer movie, in which plants play the starring
role, we are watching The Constant
Gardner (2004), based on the book by John Carré. The
garden metaphor in this movie is the garden as sanctuary – where a garden
represents a retreat and hideaway from the harshness, pain, and truth of the world.
Justin is sort of an “accidental” diplomat
and lecturer who takes assignments almost reluctantly. In England, Justin meets
the fiery activist Tessa at a lecture he is giving.
Sparks fly as she challenges his views. She observes that Justin seems to dream
about a world without weeds, but seems unwilling to pull them. Her view is there is gardening to be done, and weeds
to be pulled. Despite differences, they seem to fall for one another. She
convinces him to take her to Africa on his next diplomatic assignment, and they
decide to marry. In Africa, she works on her research, and he pursues his
gardening when not engaged in diplomatic activities. Through flashbacks we see his
lush garden in Chelsea, and see the new garden he is creating in Africa, which
seems to use all the wrong plants for the harsh African climate.
Early in the movie, Tessa and a young, African doctor with
which she works die in a jeep accident during a research project. This brings
into question the research they were doing, their relationship, the
relationships of their circle, and their marriage. Justin is pulled in,
reluctantly at first, to investigate his wife’s death. As he follows the
evidence, he becomes more and more engaged, to find the truth that Tessa was pursuing,
and answer the question as to whether theirs was a marriage of convenience, or
love. He leaves the safety of his garden to uncover the truth.
There are actually very few garden scenes or references in this
movie, but I did notice a few things as a fellow gardener. When Justin learns
of his wife’s death, while in his potting shed, he crushes an aloe plant (known
for healing) in his grief. In fiery hot Africa, Justin is tending their new
garden, which looks like a withered version of an English cottage garden (he is
clinging to what he knows, rather than embracing truth). Tessa is appalled that
he is using pesticides in their garden (later we learn it is the particular
brand of pesticide). The scenes in the green golf course under the hot sun
stand in sharp contrast to the dry African landscapes and densely packed
townships. The panoramic views of the hot and hostile African plains are
breathtaking in their beauty. See the trailer (select Watch Trailer):
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