According to Penelope Hobhouse, writing in The Story of Gardening, the landscape
garden’s grassy meadows, serpentine lakes, gently contoured hills, and artfully
arranged clumps of trees seem the very model of Englishness, and almost “indistinguishable
from the ‘real’ countryside.” Indeed, the great English landscape gardens and
parks that remain today—such as Stowe, Stourhead, and many others—do resemble
natural countryside.
Stourhead in Wiltshire, England is a prime example of an eighteenth
century garden inspired by landscape paintings. Henry Hoare I (1705 - 85) designed the landscape and worked
on it from 1745 to 73. He was inspired by landscape paintings, and by Vergil’s epic poem Aeneid (Book III), which tells of the journey of Aeneas, Rome’s founder. Hoare created a lake, and developed a peripheral
walk in which “incidents” are revealed from the poem. As one walks around
the lake, views of nature and eye catchers appear across the lake, invoking
scenes from the poem.
Stourhead Bridge with the Pantheon in the distance (Photo by Lechona) |
The eye catchers are both classical and gothic—a temple, a grotto,
a pantheon, a bridge, an abbey, and so forth. The surrounding landscape includes
a dense wood of dark conifers from northwest America, and a collection of rhododendrons
and laurels. Christopher Thacker observes in The History of Gardens, that the design remains little changed,
except for the addition of ornamental and exotic trees and shrubs in the nineteenth
century. A visitor to Stourhead today sees a mature landscape that resembles
natural country side.
No comments:
Post a Comment