For our last movie of our summer series, which features
artists in the garden, we are watching Vincent & Theo (1990), directed by
Robert Altman, and starring Tim Roth and Paul Rhys in the respective starring
roles. Artists are not always conventional, so watchers beware. But if you
appreciate art, artists, creativity, and the intersection of madness and genius,
pour a glass of peach iced tea, pick some summer fruit, and join me!
The movie opens with overlapping scenes showing a modern
auction taking place in Christie's of London for the Van Gogh painting, Vase
with Fifteen Sunflowers (1888), with bidding near 12M pounds; and scenes in
Vincent's rented room in which Vincent declares his intention to Theo be a
painter of the real world, not the church, and later in which Theo reveals that
he is the one who has been supporting Vincent's painting career, not their
father. Cut back to Christie's and the bidding ends at 22M pounds. The rest of
the movie takes place from 1883 - 1891, and covers many of the well-known events
in their lives—Vincent's relationship with Paul Gaugin, cutting off his ear,
eating paint, his compassion for others, bouts with depression, and the constant need for money.
Dutch painter Vincent van Gogh (1853 - 1890) and his art
dealer brother, Theo (1857 - 1891), moved from the Netherlands to
France to improve their fortunes. Vincent apprenticed as a painter, and Theo
sold art. He was a proponent of the new Impressionist style, and attempted to
promote Vincent's work, but had a difficult time of it. The film depicted both
brothers as tempestuous and a bit tortured, and by the end of the film,
Vincent's mental health is deteriorating. He is committed to Saint Remi to
repair, and is authorized to paint anywhere he likes. He does some of his most
iconic work during this time, but tragically kills himself. Six month later, his
brother dies.
Some of my favorite scenes were of Vincent painting in the
open air, surrounded by nature. I also liked how Theo and Vincent’s lives were
intertwined, and how Theo helped his brother, even as he struggled with his own
issues. It's heartbreaking to think of Vincent and Theo struggling with money
problems, while Vincent's paintings sell posthumously for millions, and to
watch Vincent tormented by mental illness while forging a new art form. I also
appreciated watching the short, Film as
Fine Art, which describes the making of the movie. Many art students were
employed to create the faux Van Gogh paintings used throughout the movie, all
of which were in various stages of completeness, and the film crew purchased an
entire sunflower field to shoot some of the final scenes of the film. I
recommend the film for anyone with a passion for art and nature.
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